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Fine Art Forensics
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Art & Forensics - When Science is Falsified

Art Forensics #4: Forensic Linguistics Art Forensics #4: Forensic Linguistics
In this article the focus will be on authorship determination as found through the process of composing the document by an author rather than the actual structure of letters and words. Document analysis here will focus on vocabulary used, punctuation and grammar identifiers, horizontal and vertical alignment of writing, colloquialisms, verb/noun ordering, sentence complexity, and active versus passive sentence presentation. Commonly referred to as forensic linguistics, it is also known as literary forensics or stylistics. It is both quantitative and qualitative; it uses statistics to analyze data and derives conclusions based on experience and intuition.
Article, August 31, 2009


Art Forensics #3: Handwriting Analysis Art Forensics #3: Handwriting Analysis
As with Forensic Science in general the concept of handwriting analysis moves in many directions and exists on many levels. Graphology or using a person's handwriting to determine or predict personality and behavior is employed extensively as a corporate tool in France, and infrequently in Britain and the United States. Its scientific stature however is not recognized. Forensic Handwriting Analysis is an accepted evidentiary tool in our legal system. As we shall see in this article it is certainly not without its share of problems.
Article, August 24, 2009


Forensic Science and Provenance Research: Questioned Documents Art Forensics #2: Forensic Science and Provenance Research: Questioned Documents
Authenticating works of art is grounded in the process of scientific analysis, provenance research, and connoisseurship. Provenance research focuses on establishing a document trail indicating that a particular work was from the hand of the artist. Document authentication consists of verifying those aspects of the document which corroborate that it was created when it was supposed to be by whoever was supposed to have created it, or part of the trail of the history of the work. A second aspect of document authentication has to do with the signature on the document. Here handwriting analysis comes to bear on establishing authenticity. The focus of this article will be on document analysis rather than handwriting analysis.
Article, July 27, 2009


Art Forensics Introduction: Forensic Science under Attack by the National Academy of Sciences (NAS) Art Forensics Introduction: Forensic Science under Attack by the National Academy of Sciences (NAS)
The Supreme Court in 1993 issued a standard or legal precedent currently referred to as the Daubert standard which lays out the necessary criteria to allow an expert to provided testimony in a federal court. As gatekeepers, trial judges look at various criteria in allowing forensic data to be admitted in the court proceedings. Judges focus on relevancy, empirical testing, peer review, falsifiability, error rate, and consensus of opinion. Thus, an expert stating that he "feels" or intuitively he knows the evidence to be true without other experts confirming such statements would be subject to a rejection.
Article, July 13, 2009


Farid, Fractals and Fingerprinting: New Fine Art Authenticator Technology or Pseudoscience? Farid, Fractals and Fingerprinting: New Fine Art Authenticator Technology or Pseudoscience?
After centuries of having fine art authenticated by so called art connoisseurs, there is a movement toward a combination or interdisciplinary approach to authenticating fine art. Case law, IRS regulations, insurance processes and newly emerging industry standards make it clear that a consensual and scholarly approach of science, provenance and connoisseurship must be used to authentic a work of fine art.
Article, February 12, 2009


Fine Art Registry® featured in Thomas Hoving article on Artnet® Magazine
Artnet® Magazine features Fine Art Registry® in an article entitled The Fate of the $5 Dollar Pollock, by Thomas Hoving, reproduced here in its entirety, courtesy Editor, ArtNet.com.
Media, November 7, 2008

Provenance of the Parkers' "Jackson Pollock" "Authenticated" as Such by Peter Paul Biro
In April 2007, Fine Art Registry interviewed Mrs. Thelma Grossman in order to check into the provenance of the painting which she had owned before the Parker family acquired it. Her statement about the provenance of the painting which later belonged to the Parkers and was "authenticated" as by the hand of Jackson Pollock, is quoted.
News, April 22, 2008

Fingerprint Forgery Case: Scientific Examination Report, by Pat Wertheim | Pat Wertheim's CV
Investigation, April 5, 2008

Fine Art Registry Forum Topic: Paul Biro's version of Forensic Art Authentication
Forum, November 29, 2007


Related Articles


Forged Fingerprints on Alleged Jackson Pollock Painting Press Release: Fingerprint Forgery and Fabrication Expert Finds Fingerprints on Alleged Jackson Pollock Painting were Forged.
Commissioned by Global Fine Art Registry, LLC., world renowned fingerprint forgery and fabrication detection specialist, Pat Wertheim, examined fingerprints.
Press, April 5, 2008


Alleged Pollock Fingerprints
Alleged Pollock Fingerprints: An Independent Expert's Review
Peter Paul Biro fingerprint evidence in Jackson Pollock painting "Authentication" found to be invalid by veteran fingerprint examiner, Tom Hanley, commissioned by Global Fine Art Registry, LLC.
Video, October 25, 2007



Art Forensics, Jackson Pollock What Price Forensics? Another Possible Jackson Pollock Surfaces
Another tale involving Paul Biro "authenticating" a possible Jackson Pollock (a different one), the same fingerprint, the same Tod Volpe in the background with schemes to separate the unwary.
Article, July 24, 2007


Jackson Pollock, Teri Horton Jackson Pollock and Teri Horton: Investigative Report
FAR Case Study on the true identity of Teri Horton's artwork, is it an original Jackson Pollock, or is she being mislead by supposed experts. Fine Art Registry news, articles and research into Teri Horton's claims
Case Study, November 15, 2006


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